In the 1600s, a scientist named Girolamo Fumagalli pioneered the concept of image reproduction, driven by his fascination with capturing the last moments of a person's life. He developed a technique, "thanatography", which involved killing a person and removing their eyeballs to transfer the final image on their retinas to paper. Centuries later, a similar dark ritual unfolds within the walls of an international film school.
Imago mortis
In a prestigious European film school, a string of gruesome and inexplicable murders unfolds, shrouding the campus in a climate of panic and fear.