In the midst of a heated conflict in Yemen, a Canadian-Iraqi urban artist travels to Mocha, a once-thriving trading hub now reliant on fishing, to create art as a form of relief. He meets with local artists, land mine extraction teams, and the community to produce a powerful and hopeful portrayal of the dangers of land mines and the impact of dialogue.
100 Cans
A Canadian-Iraqi urban artist travels to Yemen, where they discover an unexpected source of inspiration in the midst of conflict: land mines.
