José de la Luz Hernández, a devoted father, and Amadita Rodríguez, a loving mother, brought forth their firstborn son, Aarón Hernán, into the world, and soon after, his younger brother, Héctor Hernández, joined the family. However, their joy was short-lived, as fate had other plans. The family's patriarch, José de la Luz Hernández, unfortunately, passed away, leaving behind a grieving widow and two young children. Determined to provide a brighter future for her sons, Amadita Rodríguez made the difficult decision to relocate the family to Mexico City in 1956, seeking a fresh start and a better life for her children.
Aarón Hernán's formative years were characterized by an unwavering enthusiasm for the performing arts, a fascination that stood in stark contrast to his parents' more pragmatic aspirations for him to embark on a career in accounting.
Hernán's illustrious acting career commenced in the 1950s, marked by his inaugural appearance on stage in the esteemed play "Las manos sucias", penned by the renowned French philosopher and playwright Jean-Paul Sartre. This inaugural performance was accompanied by an ensemble of talented thespians, including the accomplished Tere Velázquez, the versatile Carlos Bracho, and the skilled Sergio Barrios. This early triumph was subsequently followed by his enrollment in the esteemed Instituto Cinematográfico, Teatral y Radio-Televisión, a prestigious acting school affiliated with the Asociación Nacional de Actores (ANDA),where he was fortunate enough to be mentored by the revered director Andrés Soler.
Hernán's professional journey reached a pivotal moment in 1958, when he took on the lead role in the theatrical production of "El gesticulador", a masterpiece penned by the esteemed playwright Rodolfo Usigli. This performance, which was part of the prestigious Moncell group at the ICT, served as a launching pad for Hernán's ascension to the forefront of the entertainment industry. By gracing the stage with his remarkable talent, Hernán's work was exposed to a broader range of admirers, thereby cementing his position as a rising star in the world of drama.
Hernán's cinematic journey began in the year 1965, marking a significant milestone in his professional career, as he made his film debut in the supporting role of Viento negro, a production that showcased his early talents and set the stage for future endeavors.
Subsequently, Hernán expanded his repertoire by making his television debut in the popular soap opera La mentira, a series that featured an impressive ensemble cast, including the renowned Julissa, Enrique Lizalde, and Fanny Cano.
Hernán's professional journey was marked by a relentless commitment to his craft, as he traversed a wide range of roles within the film and television industries, showcasing his versatility and adaptability as a performer. In addition to his work in the entertainment sector, Hernán was also a stalwart member of the Mexican Social Security Institute's theatrical company, where he demonstrated his passion for the performing arts and his dedication to sharing his talents with a broader audience.
Beyond his successful acting career, Hernán has also made a significant impact in various capacities within the National Actors Association, a prestigious organization that represents the interests of thespians nationwide.
In a demonstration of his dedication and leadership skills, Hernán has held multiple positions within ANDA, showcasing his versatility and adaptability. He has served as Secretary of Internal and External Affairs, utilizing his exceptional communication and interpersonal skills to facilitate effective interactions between the association's internal and external stakeholders.
Furthermore, Hernán has also taken on the responsibility of managing the association's treasury, demonstrating his expertise in financial management and his ability to make sound fiscal decisions.
Moreover, Hernán has had the distinction of serving as the General Secretary of ANDA from 1998 to 2002, a period during which he played a pivotal role in shaping the organization's policies and direction. His tenure was marked by his ability to bring people together, foster a sense of unity and cooperation, and provide strategic guidance to the association's members and staff.
Overall, Hernán's diverse range of experiences and accomplishments within ANDA serve as a testament to his exceptional leadership abilities, his commitment to the arts, and his dedication to the well-being of the acting community.
As Hernán's life progressed, he encountered a multitude of personal obstacles, with a particularly grueling legal struggle unfolding as he fought to retain control over his possessions.
Undeterred by these challenges, Hernán continued to dedicate himself to his craft, even relocating to La Casa del Actor, the retirement home operated by ANDA.
