Alma, a ravishingly beautiful individual with piercing blue eyes and a striking blonde mane, was one of the numerous aspiring actresses who, unfortunately, failed to leave a lasting mark on the Hollywood scene during the 1930s. Her early foray into the world of entertainment began at the tender age of six, when she took to the stage, captivating audiences with her performances in productions such as 'Berkeley Square' and 'East Lynne'. Her father, the illustrious film director Frank Lloyd, was instrumental in bringing the iconic 'Mutiny on the Bounty' (1935) to life, his behind-the-camera expertise elevating the cinematic experience to new heights. Meanwhile, her mother, a seasoned performer with a background in vaudeville, brought a wealth of experience to the table. Alma's education was a well-rounded one, having attended the prestigious Cumnock and Marlborough private academies, where she honed her intellectual and artistic abilities. Later, she further refined her craft at the Pasadena Community Playhouse, a renowned institution that has been instrumental in nurturing the talents of countless aspiring thespians.
Alma, a talented individual, completed her educational pursuits at the tender age of 18, marking the beginning of her journey in the world of stage acting. Her early career was marked by notable performances in productions such as 'Cavalcade' and 'Mary of Scotland', showcasing her range and versatility as a performer. The following year, she made her screen debut in the Fox production of 'Jimmy and Sally', a pivotal moment in her transition to the world of cinema. Her childhood nickname, 'Jimmie', a term of endearment bestowed upon her by loved ones, remained a constant presence throughout her early years in the industry.
As her career progressed, Alma was signed by Warner Brothers, and her early work was characterized by a series of 'no-name' bit parts, where she played a variety of roles, including nurses, receptionists, and telephone operators. This pattern of work was momentarily disrupted by a rare opportunity to play a featured role as Colette in the François Villon biopic 'If I Were King', a film directed by her father, a testament to her dedication to her craft and her family ties.
Alma's aspirations in the film industry were initially met with moderate success, as she was considered for a leading role in the 1936 comedy, "The Big Noise", alongside the renowned actor Guy Kibbee.
