Amel Brahim-Djelloul, a celebrated vocalist of her era, embarked upon a remarkable musical odyssey, commencing with the study of violin. In 1995, she initiated her vocal training in Algiers under the meticulous guidance of the esteemed Abdelhamid Belferouni. Subsequently, she received valuable counsel from Noelle Barker, which led her to the City of Light, Paris, where she continued her artistic education at the prestigious Ecole Nationale de Musique in Montreuil, under the tutelage of the renowned Frantz Petri. Later, she further honed her craft at the Conservatoire National Supérieur de Musique in Paris, under the guidance of the illustrious Peggy Bouveret and Malcolm Walker.
Amel Brahim-Djelloul embarked on a trajectory of significant artistic responsibilities at a remarkably young age. In the year 2002, she took on the pivotal role of Dido in Purcell's opera, with the esteemed conductor Stephen Stubbs at the helm. Simultaneously, she made her debut as the enchanting Pamina with the Orchestre Nationale d'Ile de France, with the renowned conductor Alain Altinoglu leading the ensemble.
Notably, René Jacobs, a prominent figure in the world of classical music, recognized her exceptional talent and extended an invitation to participate in a novel production of Sartorio's Giulio Cesare at the Innsbruck Ancient Music Festival. Under the baton of the accomplished conductor Attilio Cremonesi, Brahim-Djelloul had the opportunity to hone her craft and gain valuable experience within the context of this esteemed festival.
She embarked on a thrilling journey, participating in the prestigious Jardin des Voix under the esteemed direction of William Christie, allowing her to showcase her remarkable talent on some of the world's most renowned stages. These performances took her to the iconic Cité de la Musique in the City of Light, where the rich cultural heritage of Paris served as a backdrop to her mesmerizing vocals. She also had the privilege of gracing the esteemed Barbican in London, a hub of artistic excellence, where her voice harmonized with the city's vibrant cultural scene. In addition, she captivated audiences at the Grand Théâtre of Geneva, a historic venue steeped in tradition and elegance, and at the Grand Auditorium in Madrid, a city renowned for its passion for the arts. Furthermore, she performed at the Lincoln Center in New York, a beacon of cultural diversity and a symbol of the city's status as a global hub of artistic expression. Her outstanding success in these performances earned her an invitation to sing in Handel's timeless masterpiece, Messiah, alongside the esteemed National Symphony Orchestra of Washington, a testament to her exceptional talent and dedication to her craft.
Amel Brahim-Djelloul embarked upon her illustrious operatic journey by making a dazzling debut at the esteemed Festival International d'Art Lyrique at Aix-en-Provence in July 2005, showcasing her remarkable talent as Servilia in a groundbreaking new production of Mozart's La clemenza di Tito.
Since then, her illustrious career has been punctuated by a diverse array of iconic roles, including the captivating Susanna in The Marriage of Figaro at the prestigious opera houses of Angers-Nantes and Lausanne, the spirited and charming Despina in Così fan tutte at the vibrant city of Nice, the radiant and alluring Adina in L'elisir d'amore at the enchanting Avignon, and the titular role in Messager's Véronique at the majestic Paris Châtelet.
Amel Brahim-Djelloul has had the privilege of being heard in various prestigious productions, including The Coronation of Poppea at the Grand Théâtre of Geneva, where her exceptional vocal talents were showcased to great acclaim.
Additionally, she has also been featured in the new production of Pelléas et Mélisande, conducted by the renowned maestro Bernard Haitink, at the esteemed Théâtre des Champs-Elysées.
Amel Brahim-Djelloul's voice is particularly celebrated for its exceptional quality and opulent, sunlit timbre, which has captivated audiences worldwide.
In addition to her performances in operas and orchestral productions, she regularly appears in recitals, accompanied by esteemed pianists such as Claude Lavoix, Anne le Bozec, and Anne-Céline Barrère.
Some notable recital appearances include a performance in April 2006 at the Lille Opera, where her talent and artistry were showcased to great acclaim.
Furthermore, in June 2006, she took part in the prestigious Saint-Denis Festival, where her exceptional vocal abilities and captivating stage presence left a lasting impression on the audience.
