Annie Fratellini, a talented and ambitious individual, was born into a family with a rich history in the circus. As the granddaughter of a renowned clown, she was destined to follow in the footsteps of her ancestors. From a young age, Annie's passion for the circus was evident, and she began her career as a circus artist at just fourteen years old.
As she grew older, Annie's talents and dedication earned her a place in the spotlight, making her the first female circus clown in France. This groundbreaking achievement was only the beginning of her illustrious career, as she went on to found the first circus school in the country.
But Annie's talents didn't stop there. She was also a gifted singer and actress, appearing on stage and screen in various roles. Her love for the circus remained unwavering, and she continued to shine in her performances, captivating audiences with her unique blend of skill and charisma.
On the silver screen, Annie left an indelible mark with her memorable roles in two films. In Louis Malle's "Zazie in the Metro" (1960),she played the charming waitress Mado Petits Pieds, bringing her character to life with warmth and charm. In Pierre Étaix's "Le Grand Amour" (1969),she portrayed his wife, a role that was also a reflection of her real-life marriage to the director.
Throughout her career, Annie Fratellini remained a true original, refusing to be pigeonholed by her accomplishments. She continued to push boundaries, inspiring future generations of circus performers and artists. Despite her many successes, Annie's greatest triumph was her unwavering dedication to the circus, a passion that burned brightly throughout her life.