Bradley started his professional career at the tender age of nineteen in Dublin, Ireland, where he had the privilege of working alongside esteemed theatre directors Jim Sheridan, Alan Simpson, Deidre O'Connell, and Bill Kenwright. During this period, he had the opportunity to perform in a diverse range of productions, including William's "Night Of The Iguana", "Jesus Christ Superstar", and the original rock opera "Switchblade".
Upon returning to the United States, Bradley transitioned into the world of rock and roll, collaborating with punk bands The Nostrils and Wink. However, his passion for classical ballet soon rekindled, and he became obsessed with the art form for the next decade. His time in Eugene, Oregon, was marked by a renewed appreciation for ballet.
Despite his dedication to ballet, Bradley ultimately found it challenging to make a living from it. He returned to the Los Angeles stage, where he worked in musicals and subsequently gained recognition for his leading performances in "Brooklyn USA" and "Whodunnit". His impressive performances earned him two critics' awards, a testament to his versatility as an actor.
Throughout the decade, Bradley also made a name for himself as a consistent presence in television, appearing in notable shows such as Hill Street Blues (1981),The Twilight Zone (1985),Tales from the Darkside (1983),and others.
In the 1990s, Bradley decided to hang up his acting boots once again and focus on writing screenplays with his dancer/choreographer wife, Donna. Their collaborative efforts eventually culminated in the production, writing, and direction of the feature film Knock on Wood (1998),which won the Audience Award at the Los Angeles Dances With Films festival. However, the film's success was short-lived, and the couple spent the next decade working on film crews to make ends meet.
After a few years away from the acting world, Bradley returned to the spotlight, where he has been busy re-establishing himself in television and film. He is also an active member of the critically acclaimed Rogue Machine Theatre Company and is currently writing the third chapter of his wonderfully unconventional and blessed life.
