Chilean screenwriter, renowned for her exceptional talent in crafting stories inspired by reality, which she approaches from a diverse range of genres, including suspense, drama, thriller, soap opera, and teen drama, among others.
Her illustrious career as a screenwriter began in the fiction department of Canal 13, a prominent network in Chile, where she was part of the team responsible for creating innovative and successful fiction works, garnering high ratings and transmedia engagement.
As a scriptwriter, she has contributed to notable projects such as "CORAZÓN REBELDE" (2009),"MAMÁ MECHONA" (night soap opera, 2014),and "LAS VEGAS" (night soap opera, 2013). Moreover, she served as Head of Script for "PACTO DE SANGRE" (2018),a groundbreaking genre soap opera that revolutionized the channel's audience, both in its transmedia platforms and among new viewers.
In the realm of soap operas, she has created original stories, highlighting her recent works, including "PRECIOSAS" (2016) and "SECRETOS DE FAMILIA" (2022),slated for release in 2023. In film, she has co-written fictions such as "UN DÍA CUALQUIERA" (2017) and "I AM NOT LORENA" (2014).
Currently, she is writing the film adaptation of "LA PÉRGOLA DE LAS FLORES", produced by Parox. Her career has been recognized and awarded for productions across various genres, including "PACTO DE SANGRE", which won the prestigious Copihue de Oro for Best Teleseries in 2018.
This esteemed award in Chile is given for the recognition of entertainment figures and is considered a valued acknowledgment in the country. She also received a nomination for the same award and category for "PRECIOSAS". Her latest projects include the upcoming teen series "LLÉVAME AL CIELO" (2023),the first series produced in Chile for Disney+, as well as her role as Head of Scripts for Canal 13's upcoming nighttime soap opera "SECRETOS DE FAMILIA" (2023).
Furthermore, her audioseries "CORDEROS", a psychological thriller set in Valdivia, has recently premiered on Podium and Spotify, garnering positive ratings and audience reception.
