Emma Kirkby, a renowned vocalist, embarked on a journey that would eventually lead her to a distinguished career in music, commencing with her academic pursuits at Oxford University, where she studied the classical arts with great enthusiasm. It was during this time that she received invaluable vocal training from the esteemed Jessica Cash, a mentor who would play a significant role in shaping her artistic development.
Initially, Kirkby did not harbor any aspirations of becoming a professional singer, instead, she sang for the sheer joy of it, as a way to express herself and connect with others. Her passion for music was evident in her participation in various choirs and small groups, where she felt most at ease when performing Renaissance and Baroque repertoire.
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Emma Kirkby's remarkable journey in music began when she joined the esteemed Taverner Choir in 1971, marking the starting point of a long and fruitful collaboration with the illustrious Consort of Musicke in 1973.
Her professional debut in London took place in 1974, following which she dedicated herself to the genre of Early music, a field in which she would go on to establish herself as a leading exponent.
At a time when most college-trained sopranos were not striving to emulate a sound harmonious with early music instruments, Emma Kirkby was compelled to forge her own distinctive approach, a process facilitated by the guidance of the renowned vocal coach Jessica Cash in London, as well as the collective expertise of the directors, fellow singers, and instrumentalists she has had the privilege of working alongside throughout her illustrious career.
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Emma Kirkby, a legendary figure within the realm of music, has established herself as a paragon of pure sound, with her name forever linked to the very essence of vocal artistry. For over two decades, her clear, agile voice has embodied the quintessence of pure sound in the performance of early music, earning her the reputation as one of the world's most treasured musical treasures, as lauded by the Toronto Globe and Mail.
Throughout her illustrious career, Emma Kirkby has performed globally with an ever-expanding circle of esteemed orchestras and chamber ensembles, including the Academy of Ancient Music, London Baroque, Orchestra of the Age of Enlightenment, Freiburger Barockorchester, Tafelmusic Toronto, and the Studio de Musique Ancienne de Montreal.
In addition to her impressive solo work, Emma Kirkby frequently collaborates with her trusted duo partner, the lutenist Anthony Rooly. Her chamber concerts and recordings with the Consort of Musicke are also notable highlights of her distinguished career.
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Emma Kirkby, a renowned vocalist, has amassed an extensive discography, boasting an impressive total of over a hundred recordings to date. Her repertoire spans a wide range of musical styles and periods, including the sacred sequences of Hildegarde of Bingen, the intricate madrigals of the Italian and English Renaissance, the majestic cantatas and oratorios of the Baroque era, and the esteemed works of Mozart and Haydn.
In recent years, Emma Kirkby has continued to expand her musical horizons, releasing a second volume of George Frideric Handel's opera arias for Hyperion Records. Additionally, she has collaborated with Decca Records on a collection of Bach's wedding cantatas, and with London Baroque for BIS Records on a festive compilation of Christmas music by Alessandro Scarlatti and J.S. Bach.
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Emma Kirkby's affinity for live performances remains unwavering, with a special fondness for the joy of revisiting programs with fellow musicians; each unique confluence of occasion, venue, and audience will collectively give rise to something novel and captivating from this vast and wondrous repertoire.
With her remarkable intelligence, her voice imbued with an unparalleled sense of beauty, and her exceptional performing technique, her concerts consistently transmogrify into an unforgettable and indelible experience that will linger in the memories of all who have the privilege of attending.
