John Lamb Reed, OBE, was a distinguished English thespian, renowned for his exceptional agility and dexterity, which earned him a reputation as a master of the principal comedic roles within the esteemed Savoy Opera repertoire, particularly in his long-standing association with the illustrious D'Oyly Carte Opera Company.
Throughout his illustrious career, Reed was celebrated for his unparalleled mastery of the Gilbert and Sullivan canon, with many regarding him as the last great exponent of the iconic comedy roles that have become synonymous with the duo's works.
Noted English performer, born on February 13, 1916, in the picturesque County Durham, embarked on a remarkable journey in the world of entertainment towards the end of World War II.
After the war, he joined the illustrious D'Oyly Carte Opera Company in 1951, initially serving as a talented understudy to the esteemed Peter Pratt for an impressive eight years.
In 1959, Reed's exceptional skills and dedication earned him the coveted position of principal comedian within the company, a role he proudly held for an astonishing two decades.
Noted British performer Reed distinguished himself during his extended tenure with the company by masterfully bringing to life an array of iconic Gilbert and Sullivan characters, showcasing his impressive range and versatility as a singer and actor. Among his most notable roles were those of Sir Joseph in the classic H.M.S. Pinafore, the charismatic Major-General in Pirates, the charming and witty Bunthorne in Patience, the erudite and authoritative Lord Chancellor in Iolanthe, the clever and cunning Ko-Ko in The Mikado, the lovable and affable Jack Point in The Yeomen of the Guard, and the debonair and charming Duke of Plaza Toro in The Gondoliers, to name but a few. Reed's performances were consistently marked by his impressive "fleet-footed clowning," his quick wit and sharp humor, impeccable comic timing, and his remarkable ability to deliver complex patter songs with crystal clear diction. Furthermore, his distinctive and amusing character voices added an extra layer of depth and richness to his performances, solidifying his reputation as a master of his craft.
In the year 1979, a significant turning point occurred in the life of Reed, as he bid farewell to the esteemed D'Oyly Carte Opera Company, yet his passion for Gilbert and Sullivan productions remained unwavering, leading him to continue performing and directing these esteemed works in both Britain and America.
As his career progressed, Reed's talents extended beyond the realm of Gilbert and Sullivan, as he took on roles in various forms of light opera, his versatility and range as a performer earning him recognition and acclaim.
Eventually, Reed's illustrious career came full circle, as he retired to the charming town of Halifax, West Yorkshire, where he could reflect on his many accomplishments and devote his time to more leisurely pursuits.
However, Reed's love for Gilbert and Sullivan never truly faded, and in his later years, he continued to direct amateur companies dedicated to these beloved works, his expertise and guidance invaluable to these groups.
Moreover, Reed's dedication to the Gilbert and Sullivan tradition was such that he attended the prestigious International Gilbert and Sullivan Festival in Buxton for many years, a testament to his enduring passion and commitment to the art form.
