Liam Regan, a native of South Yorkshire, United Kingdom, came into this world in the year 1985, his early years marked by a fascination with the horror genre that would later shape his artistic endeavors.
Liam's fascination with the horror genre intensified as he continued to explore its depths, his curiosity being piqued by the independent cinema of the 1980s, a period that witnessed the emergence of a plethora of innovative and groundbreaking films that would go on to shape the course of the genre.
As he delved deeper into this rich and vibrant cinematic landscape, Liam's attention was drawn to the works of Troma Entertainment, a pioneering production company that had been responsible for producing a wide range of cult classics, including the infamous "The Toxic Avenger" franchise.
Intrigued by the prospect of discovering more about this intriguing and oft-overlooked cinematic entity, Liam made his way to his local Blockbuster video store, a retail establishment that had been a staple of the entertainment industry for many years, and browsed the shelves in search of a specific title that would allow him to further explore the world of Troma Entertainment.
After conducting a thorough search, Liam's eyes landed on a VHS copy of "The Toxic Avenger Part II" (1989),a film that he had heard was a staple of the Troma Entertainment canon and was eager to experience for himself.
Without hesitation, Liam made the purchase, eager to immerse himself in the world of this cult classic and experience its unique blend of dark humor, over-the-top action, and campy charm for himself.
Liam's captivating interest in independent cinema and the art of filmmaking propelled him to delve deeper into the world of screenwriting and filmmaking, ultimately leading him to embark on a journey of self-discovery and creative expression.
As he pursued his passion, Liam found himself drawn to the sets of Lloyd Kaufman's films, where he eagerly threw himself into the process of bringing these unique stories to life.
One of his most notable experiences was working on the sets of Kaufman's films, including the ambitious and critically acclaimed "Return to Nuke 'Em High Volumes 1 & 2", which allowed him to hone his skills and learn from one of the most innovative and visionary filmmakers of our time.
Through his experiences, Liam gained invaluable insight into the world of independent cinema, and his fascination with filmmaking only continued to grow, fueling his desire to create his own unique stories and bring them to the big screen.
Liam's entrepreneurial spirit led him to take the initial step of co-founding a film production company, which was initially known as Cincest Films and later rebranded as Refuse Films, a creative endeavour that would ultimately serve as the springboard for his feature film debut, "Banjo".
The conception of "Banjo" can be traced back to a pivotal cinematic experience, specifically a screening of Darren Lynn Bousman's "Mother's Day" at the esteemed Empire Cinema located in the heart of Leicester Square. It was during this screening that Liam was struck with a creative spark, which ultimately led to the development of a treatment that would eventually evolve into a 15-page short film screenplay titled "Confessions of Peltzer".
The short film in question was captured on camera during the Easter festivities of 2012, a period of time marked by renewal, rebirth, and indulgence in sweet treats. The cinematic masterpiece premiered at the esteemed TromaDance film festival, held annually in the state of New Jersey, where it was met with a diverse range of reactions from critics and audiences alike.
Some members of the press and viewing public were left feeling disturbed and even offended by the film's content, labeling it as "revolting and obscene" due to its perceived transgression of societal norms and boundaries.
As the criticism poured in, Liam's passion for storytelling only intensified, serving as a catalyst for the conception of a feature-length screenplay that would bring his beloved characters from "Banjo" to life.
The feature film underwent production during the warm and languid summer months of 2014, specifically within the picturesque region of South Yorkshire, located in the United Kingdom.
Subsequent to its completion, the film was presented at its inaugural test screening at the prestigious Cannes Film Festival in May of the following year, 2015.
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The culmination of meticulous editing, the final version of the film, boasting a runtime of a whopping 82 minutes, was formally chosen by the esteemed Film4 FrightFest to make its highly anticipated world premiere on the thirty-first of August, two thousand and fifteen, in the iconic Leicester Square, situated in the heart of London.
The band "Banjo", following its initial debut, embarked on a remarkable journey, performing at a staggering 20 additional festivals, thereby further solidifying its reputation and reach. Subsequently, in the latter half of 2016, the band's title underwent a transformation, evolving into "My Bloody Banjo", a metamorphosis that marked a significant turning point in its artistic trajectory. As a testament to its growing global appeal, Acort International and Maxim Media Entertainment were entrusted with the responsibility of serving as the band's worldwide sales agents, a move that would undoubtedly propel its music to an even broader audience.
The movie was initially made available to the general public through the distribution channels of DVD and Video On Demand in the United States during the month of November in the year 2016.
Liam's professional journey took an exciting turn in the summer of 2018 when he made a triumphant return to the city of Tromaville, a place that holds a special significance in his career. It was during this time that he had the unique opportunity to collaborate with the renowned filmmaker Lloyd Kaufman on his latest cinematic venture, a film that would ultimately be titled "Shakespeare's Shitstorm".
