Marco Armiliato's musical journey began with piano studies at the prestigious Paganini-Conservatoire in his hometown of Genova, laying the foundation for his future success.
As the 1990s unfolded, Armiliato's professional activities became increasingly prominent, with engagements at some of the world's most renowned opera houses.
At the iconic New York Metropolitan Opera, he conducted a diverse range of productions, including Il trovatore, La Bohème, Stiffelio, Madama Butterfly, Sly, Aida, Turandot, La Fille du Régiment, and Rigoletto.
In San Francisco, Armiliato's repertoire included La Bohème, Madama Butterfly, Turandot, La traviata, Tosca, Aida, and Cavalleria rusticana.
His debut at the Wiener Staatsoper in 1996 marked the beginning of a long-term relationship with the institution, during which he conducted a wide range of operas, including Il barbiere di Siviglia, La Bohème, Carmen, Cavalleria rusticana, Don Carlo, L’elisir d’amore, Falstaff, La forza del destino, Lucia di Lammermoor, Manon, Manon Lescaut, Pagliacci, Simon Boccanegra, Stiffelio, Tosca, La traviata, Turandot, and Werther.
Armiliato's international engagements also took him to opera houses in Barcelona, Madrid, Zurich, Toronto, Pittsburgh, Baltimore, Turin, Rome, the Deutsche Opera Berlin, the Bavarian State Opera, the Royal Opera House Covent Garden, the Théâtre du Châtelet and Opéra Bastille in Paris, the Hamburg State Opera, and Verona.
Beyond his opera work, Armiliato has also established himself as a successful concert conductor, further solidifying his reputation as a leading figure in the world of classical music.
