Oleg Mavromatti, a creative force to be reckoned with, burst onto the scene in 1965, his birthplace being the city of Volgograd, Russia. As the years went by, he would go on to establish the independent film union SUPERNOVA in 1995, which would serve as a beacon of innovation and a hub for Moscow's most avant-garde cinematic endeavors.
Under his visionary leadership, SUPERNOVA would go on to produce a staggering array of groundbreaking films, each one a testament to the power of artistic expression. Among these cinematic masterpieces, two stand out in particular: the cult classics "The Green Elephant" (1999) and "Bastards" (2000).
These films, imbued with a sense of raw energy and unbridled creativity, would soon capture the hearts and imaginations of audiences worldwide, inspiring a devoted following that would continue to grow with each passing year. As a result, internet communities would spring up, dedicated to celebrating these iconic films and the artists who brought them to life.
To this day, fans of Oleg Mavromatti's work can be found sharing their passion for his films through daily fan memes, a testament to the enduring power of his artistic vision and the lasting impact it has had on the world of cinema.
Mavromatti's artistic endeavors in Moscow's avant-garde performance art movement during the 1990s were marked by a penchant for bold and thought-provoking creations that often pushed the boundaries of social norms and conventions.
His provocative art and film projects sparked intense public debate and scrutiny, culminating in legal prosecution and controversy surrounding his most infamous performance piece, "Ne ver' glazam" ("Do Not believe Your Eyes"),which was part of his ambitious film project "Holst/Maslo" that remained unfinished in the year 2000.
The confiscation of his archive in the same year led to the irretrievable loss or severely limited accessibility of many of his early artistic endeavors, leaving only VHS copies as remnants of his creative output.
Notable artist Mavromatti's professional journey took a significant turn in the year 2000, as they relocated to Bulgaria and New York, marking a pivotal moment in their career.
Their work has since been extensively showcased in various esteemed publications, including comprehensive monographs that highlight their artistic accomplishments over a specific period. One such notable example is the publication "Rosyisky actionism 1990-2000", which provides an in-depth look at Mavromatti's work within the context of Russian Actionism during the years spanning from 1990 to 2000.
Furthermore, their artistic endeavors have also been featured in prominent art journals, such as "Art in America", a leading publication that showcases the latest developments in the world of contemporary art.
