Robert Allaire is a renowned Los Angeles-based composer whose groundbreaking work at the intersection of music and sound design has garnered widespread critical acclaim from esteemed publications such as LA Weekly and The New York Times.
His distinctive style seamlessly blends dark electronics, cutting-edge experimental techniques, and bold orchestral writing, resulting in a unique sonic voice that has been featured in a diverse range of mediums, including films, video games, and over 1,000 episodes of television.
Robert's eclectic approach to music has led to a wide variety of projects in the film industry. In 2018, he composed a classic action-adventure score for MGM's prequel series Stargate: Origins, showcasing his ability to craft sweeping, cinematic themes. He also provided an intimate, romantic orchestral score for Dennis Hauck's bold debut feature Too Late, a metal-infused noise score featuring the sound of razor blades on guitar strings for Adam Egypt Mortimer's feminist slasher Some Kind of Hate, and a dark, glitchy electronic score for Sony's video game Kill Strain.
In addition to his own projects, Robert has collaborated with other renowned composers, including James S. Levine (American Horror Story) and Garry Schyman (Bioshock),on various television shows and video game projects, providing additional music and synth programming.
Robert is also an advocate for experimental film and has collaborated with filmmaker Betzy Bromberg on several projects. Their first collaboration, And the Night Illuminated the Night, was wonderfully scored and selected as one of the New York Times' best films of 2011. They subsequently reunited to work on her latest 16mm meditation, Glide of Transparency, which premiered in late 2016.
