Eugene Corr is a multifaceted filmmaker with a diverse range of experience in both fiction and non-fiction filmmaking, boasting an impressive résumé that showcases his versatility and skill behind the camera.
One of his most notable achievements is writing and directing the feature documentary Waldo Salt: A Screenwriter's Journey, which garnered him an Academy Award nomination in 1991, a testament to his exceptional storytelling abilities and dedication to the craft.
In addition to his work in documentary filmmaking, Corr also wrote and directed the dramatic feature film Desert Bloom, a Columbia Pictures production released in 1986 and selected for the prestigious Cannes Film Festival, further solidifying his reputation as a talented and accomplished filmmaker.
Throughout his career, Corr has demonstrated a keen eye for storytelling and a deep understanding of the cinematic medium, consistently producing high-quality work that has earned him recognition and accolades within the film industry.
As a result, Corr's impressive body of work serves as a testament to his enduring passion for filmmaking and his commitment to pushing the boundaries of the medium, leaving a lasting impact on the world of cinema.
Corr has accumulated a vast array of experience in the film and television industries, with a notable track record as a second unit director on prominent motion pictures. His impressive credits include working on major productions such as Bull Durham and Cobb, where he played a crucial role in bringing these cinematic masterpieces to life.
In addition to his work in film, Corr has also demonstrated his skill and versatility as a writer, having penned or co-written several dramatic features. These include the critically acclaimed Prefontaine, the heartwarming Never Cry Wolf, and the captivating Wildrose, all of which showcase his ability to craft compelling narratives and characters.
Corr's television credits are equally impressive, with a range of writing and directing credits across various genres and platforms. He has written for popular television shows such as Getting Out, a dramatic series that explores the complexities of human relationships, as well as the iconic music video MC Hammer: Too Legit, which blended humor and entertainment.
As a director, Corr has worked on numerous episodic television series, including the crime drama Crime Story, the stylish and action-packed Miami Vice, the western-themed Shannon's Deal, the critically acclaimed I'll Fly Away, the family-friendly Dream Street, the legal drama Against the Law, and the comedy series Arli$$, showcasing his adaptability and ability to navigate different tones and styles.
From the tender age of seventeen to the dawn of his twenty-sixth year, Corr toiled in a multitude of blue-collar occupations, accumulating a wealth of diverse work experience. His early years were marked by a series of physically demanding jobs, including stints as a factory worker, where he labored tirelessly alongside machinery and production lines, a warehouse man, responsible for receiving, storing, and shipping goods, a forklift driver, navigating the warehouse landscape with precision and skill, a crane operator, operating the massive machinery with precision and finesse, an auto worker, where he contributed to the assembly and production of vehicles, a steel worker, laboring in the fiery depths of the steel mill, and a cannery worker, processing and packaging food products.
It was in 1973 that Corr's journey in the world of film began to take shape. He joined Cine Manifest, a radical San Francisco film collective that was prominent in the 1970s, marking the start of his foray into the creative and artistic world of cinema.
A meticulously restored print of Corr's inaugural feature film, Over-Under, Sideways-Down, has been showcased at the esteemed Film Anthology Center in New York City, providing a unique opportunity for audiences to experience this early work of the filmmaker.
Corr's latest documentary endeavor, Ghost Town to Havana, was successfully completed in September 2015 and has since been making its way through the festival circuit, garnering widespread recognition and acclaim along the way. The film's impressive awards tally includes the coveted Audience Award at the Sebastopol Documentary Film Festival, the Sophia Award at the Syracuse International Film Festival, and the Basel Shehade Award For Social Justice, a testament to its impact and relevance.
