Freddy Buache, a celebrated Swiss journalist, cinema critic, and film historian, made his entry into the world on December 29, 1924, and unfortunately, his mortal journey came to an end on May 28, 2019, at the ripe age of 94.
Born and raised in the picturesque city of Lausanne, Switzerland, the early life of Buache unfolded in the charming village of Villars-Mendraz, nestled in the Vaud region. During this formative period, his parents managed the Café de la Poste, a local gathering spot that served as a hub of community activity. The family's residence in Villars-Mendraz was a significant chapter in Buache's childhood, where he developed roots and a sense of belonging.
However, in 1933, the family's trajectory took a turn as they relocated to the city of Lausanne. This move marked a significant transition for Buache, as he would soon find himself immersed in a new environment, surrounded by the city's vibrant atmosphere and rich cultural heritage.
Buache's fervent enthusiasm for the art of cinema propelled him to encounter the renowned Henri Langlois in the year 1945, an encounter that would ultimately inspire the founding of Lausanne's inaugural film club in the following year, 1946.
In 1948, he embarked on a creative collaboration with Charles Apothéloz, a talented individual who shared his passion for the performing arts, on a stage adaptation of Jean-Paul Sartre's thought-provoking play, Les Faux Nez. This ambitious project was subsequently brought to life by Apothéloz' amateur theatre company, showcasing the group's remarkable talents and dedication to their craft.
Noted independent journalist, Buache, dedicated a significant portion of his career to sharing his expertise with the public through his "Cinema" column, which he penned for the esteemed Nouvelle Revue de Lausanne from 1952 to 1959, and later for the prominent Tribune de Lausanne.
As a result of his influential connections with the pioneers of the Cinémathèque Française, Buache played a pivotal role in the establishment of the Swiss Film Archive, a groundbreaking institution that would go on to make a lasting impact on the world of cinema.
Throughout his illustrious career, Buache's tireless dedication and unwavering passion for film led him to serve as the director of the Swiss Film Archive from 1951 to 1996, leaving behind a legacy that would continue to inspire future generations of film enthusiasts and scholars.
Philippe Buache's multifaceted career extended beyond his work in the realm of film, as he was actively involved in prestigious international film festivals, including the Locarno International Film Festival and the Berlin International Film Festival.
In addition to his festival endeavors, Buache was a prolific contributor to the influential Marxist review Clartés, showcasing his commitment to the ideals of socialism.
Furthermore, his dedication to the cause of Algerian independence was evident in his support for the movement, which manifested in his decision to screen films at the esteemed Swiss Film Archive, thereby providing a platform for the dissemination of information and raising awareness about the struggle for Algerian self-determination.
As the years went by, Philippe Buache's ideological leanings remained steadfastly rooted in the left-wing ideology, a testament to the enduring influence of his formative experiences and convictions. Despite the passage of time, his ardor for the cinematic arts remained unwavering, a constant source of inspiration and creative expression.
In 1951, Buache entered into a lifelong union with Marie-Magdeleine Brumagne, a French journalist and art critic of great erudition and discernment. Together, they shared a profound appreciation for the arts and a deep commitment to the advancement of culture.
Sadly, Philippe Buache's remarkable life came to a close in May 2019, leaving behind a legacy of artistic innovation, intellectual curiosity, and a profound impact on the world of cinema.
