Joe's life journey commenced in 1957, with a childhood marked by a foray into the captivating world of Film and Television, as a child actor. Two and a half decades later, in 1996, he made the pivotal decision to alter the trajectory of his path, electing to rekindle his academic pursuits. This newfound direction led him to enroll at the Borough of Manhattan Community College, where he would eventually transfer to Vassar College's Exploring Transfer Program.
In the year 1998, Joe's academic pursuits culminated in a remarkable achievement, as he was honored with the prestigious NYU/Universal Wasserman Award, a coveted recognition bestowed annually upon a single Tisch undergraduate student. This esteemed award not only provided financial support, but also included a relocation stipend, allowing Joe to relocate to the city of Los Angeles, where he secured an internship on the set of Universal's popular film "American Pie". Upon graduating from Tisch in the year 1999, Joe embarked on his career in the entertainment industry, commencing his journey as a Set Production Assistant on the esteemed television series "Law & Order", affectionately referred to as "The Mothership" by industry professionals.
Tisch Undergraduate Student Biography:
Born with a passion for the entertainment industry, Joe's academic endeavors at Tisch were marked by a relentless pursuit of excellence. With a keen eye for detail and a natural aptitude for the arts, Joe's academic trajectory was set in motion from the very beginning. His dedication to his craft was rewarded in 1998, when he received the prestigious NYU/Universal Wasserman Award, a testament to his unwavering commitment to his studies. This esteemed award not only provided financial support, but also included a relocation stipend, allowing Joe to relocate to Los Angeles, where he secured an internship on the set of Universal's "American Pie". Upon graduating in 1999, Joe's academic pursuits culminated in a remarkable achievement, as he commenced his career in the entertainment industry, serving as a Set Production Assistant on NBC's esteemed Law & Order, also known as "The Mothership".
Joseph, a talented and versatile individual, concurrently maintained a thriving acting career throughout his stint on the esteemed television series Law & Order. Simultaneously, he extended his creative reach by lending his expertise to various productions, both in front of and behind the camera. As his multifaceted role evolved, he found himself intricately involved in the Locations department, Camera department, and Production Office, where he ultimately concluded his remarkable journey on Law & Order in the year 2010, having ascended to the esteemed position of Production Coordinator.
Joe's career trajectory took an interesting turn following his departure from Law & Order, as he made the bold decision to relocate to the vibrant city of New Orleans, where he would go on to serve as the trusted Executive Assistant to the renowned television producer Eric Overmyer on the highly acclaimed HBO series "Treme". This esteemed position allowed Joe to bring his exceptional organizational skills and attention to detail to the production team, playing a vital role in the show's second season.
As the curtain closed on Season Two, Joe bid farewell to the Big Easy and returned to his hometown of New York, where he would embark on a new professional chapter. With his impressive resume and transferable skills, Joe secured a coveted position with Local 817 of the New York Theatrical Teamsters Union, a prestigious organization dedicated to supporting the city's thriving theatrical community.
Joe's professional journey underwent a significant shift in 2014, as he was recruited by Amazon to join the team behind the highly acclaimed television series "Bosch". Specifically, Joe made his mark on the show by scripting Episode Seven, titled "Lost Boys", a notable installment in the series. Subsequently, his role evolved in Season Two, as he transitioned into the position of Story Editor, collaborating with others to co-write Episode Eight, cleverly subtitled "Follow the Money".
