Chien Lien Tu, a pioneering individual in the Brazilian film industry, commanded attention with his multifaceted talents, effortlessly transitioning between the roles of filmmaker, director of photography, screenwriter, producer, and occasional actor, showcasing his remarkable versatility and range.
Noted Brazilian filmmaker, Doo, played a pivotal role within a tight-knit circle of artists in São Paulo's renowned "Boca do Lixo", a thriving epicenter for the creation and dissemination of erotic and pornographic cinema. Throughout his illustrious career, he worked alongside influential figures such as the acclaimed David Cardoso and the esteemed Ody Fraga, together crafting a series of anthology erotic films that have left an indelible mark on the genre, cementing his status as a significant contributor to the evolution of erotic cinema.
Noted film industry professional, Doo, was born in the year 1942 in the city of Chongqing, China, where his life was forever altered at the tender age of eight when his family made the bold decision to relocate to the culturally rich and vibrant nation of Brazil.
As a young man, Doo's professional journey in the world of Brazilian cinema began in the year 1963, when he landed a role as a continuity supervisor on the esteemed film "O Cabeleira", directed by the renowned Amacio Mazzaropi.
This marked the beginning of a long and illustrious career, as Doo went on to serve as an assistant director on Mazzaropi's 1965 film "O Puritano da Rua Augusta", further solidifying his position as a respected and accomplished figure within the Brazilian film industry.
Doo's initial foray into directing was marked by the 1978 cinematic masterpiece "Ninfas Diabólicas", a groundbreaking fusion of erotic and fantastical elements that would become a defining characteristic of his distinctive aesthetic. This innovative film set the tone for his subsequent creative endeavors, showcasing his unique ability to seamlessly blend genres and push boundaries.
Some of his most notable works include the 1981 episode "O Gafanhoto" from the anthology film "Pornô!", a collection of shorts that further cemented his reputation as a master of the genre. Additionally, his segment "O Pasteleiro" from the 1981 film "Aqui, Tarados!" showcased his versatility and ability to adapt to different storytelling formats.
By the late 1980s, the illustrious Doo had opted to relinquish his involvement in the realm of filmmaking, but concurrently, he continued to emerge as an accomplished actor in feature films directed by renowned Brazilian filmmakers, including the esteemed Carlos Reichenbach, whose cinematic masterpiece "Filme Demência" was released in 1986, and Ruy Guerra, whose equally impressive "A Ópera do Malandro" also debuted in 1986. Furthermore, Doo's acting prowess was showcased in Guilherme de Almeida Prado's captivating "A Dama do Cine Shanghai", which premiered in 1987.
Doo's existence was forever altered in the year 2009, as he was suddenly and unexpectedly afflicted with a devastating stroke, which subsequently led to a prolonged and precarious state of unconsciousness, colloquially referred to as a coma.
Tragically, his life was cut short in February of the year 2012, marking the end of an illustrious career and leaving behind a lasting and profound impact on the world of Brazilian cinema, solidifying his status as a groundbreaking and influential figure in the industry.
