Josh Adamson, an Australian native now based in Los Angeles, has made a significant mark in the entertainment industry with his versatility and talent. His extensive resume boasts a wide range of projects, from feature films to television shows, and from Broadway workshops to national tours.
In film, Josh has had leading and supporting roles in several projects, including the epic biblical tale "The Book Of Job," which is currently making its way through international festivals. He has also appeared in "Unidentified," "The Wedding Video," "Painting In The Rain," and "Desert of Blood," working with acclaimed directors such as Tim Miller, known for his work on "Deadpool."
On the small screen, Josh has starred in the TV movie "First Landing," playing the historic role of Captain John Smith, and has had recurring roles on shows like "General Hospital," "Make It Or Break It," and "Big Time Rush." He has also appeared on Amazon Prime's "Almost Paradise-Season Two."
In the world of American theatre, Josh has had the privilege of working on numerous productions, including "The Prom," "Matilda," "The Producers," the original production of "Walter Paisley-Plastered," which is currently being work-shopped in the West End, directed by Jerry Zaks. He has also appeared in "Big Fish," earning a nomination for "Outstanding Lead Actor" from the Theatre Critics Circle, as well as "Catch Me If You Can," "Funny Girl," which won an Ovation Award, "Aida," and "Lovelace," based on the music of the Go-Go's.
Josh has had the opportunity to perform in multiple Pantos in both Australia and the US, sharing the stage with notable stars such as Tony Award winner Ben Vereen in Los Angeles and Australia's legendary Magda Szubanski in Sydney.
Currently, Josh is working on a new show based on the true story of "Albert DJ Cashier," set during the Civil War, with the producers of Broadway's "Beautiful, The Carol King Musical." He is also in development with the English adaptation of the award-winning show "Los Monstrous-The Monsters" from Argentina.
