She embarked upon a distinguished academic odyssey, marked by a pivotal decision to enroll in the esteemed Directing Department of the Beijing Film Academy, an institution that had undergone a period of dormancy, only to reopen its doors in the year 1978, following a hiatus, and subsequently achieved academic distinction by successfully completing her studies in the year 1982.
As her cinematic journey continued to unfold, she went on to produce a string of feature films that would leave a lasting impression on the industry and beyond. Her second and third filmic endeavors, "The Bloody Morning" and "Family Portrait", respectively, would go on to achieve remarkable success, earning top accolades at some of the most prestigious international film festivals in the world.
At the prestigious Festival of Three Continents, a renowned international event celebrating the convergence of cinematic excellence from across the globe, her sophomore feature film, "The Bloody Morning", achieved a remarkable milestone by claiming the highly coveted Grand Prix award, a resounding affirmation of her remarkable directing prowess and unparalleled artistic acumen.
Notably, her third feature-length cinematic endeavour, "Family Portrait", received the esteemed Jury Award at the renowned Locarno Film Festival, a testament to her exceptional skill in crafting engaging narratives that captivate and resonate with diverse global audiences.
