Marjolène Morin, professionally known by her stage name Marjo, is a renowned Canadian singer-songwriter hailing from the vibrant province of Quebec. Born on August 2, 1953, in the culturally rich city of Montreal, Quebec, Marjo's early life was marked by a diverse range of pursuits. Prior to embarking on a successful music career, she initially explored the world of modeling, where she honed her skills and gained valuable experience. Marjo's creative endeavors didn't stop there, as she also worked as an editor for the prestigious fashion magazine Madame, showcasing her attention to detail and artistic flair. Furthermore, she took on the role of manager at the esteemed Montreal jazz club L'Air du temps, where she was responsible for overseeing the day-to-day operations and ensuring the smooth running of the establishment. In addition to her various professional pursuits, Marjo's passion for the performing arts led her to appear in two musicals produced by the talented François Guy, allowing her to showcase her versatility and range as a performer.
Marjo, a talented and influential musician, embarked on a remarkable journey when she joined the renowned band Corbeau in the year 1979. This marked the beginning of a fruitful collaboration that would yield a plethora of creative and critically acclaimed works. One of her most notable achievements during this period was her cowriting and recording of the theme song "Touch Me" for the film A Woman in Transit. This masterpiece not only showcased Marjo's exceptional skill as a songwriter but also earned her a prestigious Genie Award for Best Original Song in the year 1985, solidifying her status as a prominent figure in the music industry.
Notable was the release of her debut album, Celle qui va, in the year 1986, a milestone that would go on to achieve significant commercial success, with sales exceeding a staggering 250,000 copies, thereby garnering a total of three prestigious Prix Félix awards.
Furthermore, the album received the coveted double platinum certification from the Canadian Recording Industry Association, a testament to its widespread appeal and enduring popularity.
In order to promote this critically acclaimed album, she embarked on a highly successful European tour, during which she performed under the title Amoureuse, captivating audiences and leaving a lasting impression on the music industry.
In the year 1988, a significant milestone was reached in the career of the talented vocalist Marjo, as she made a notable appearance on the album "Rendez-vous doux" by the renowned artist Gerry Boulet, lending her impressive vocal talents to the song "Les Yeux du cœur" as a duet partner.
After this notable collaboration, Marjo went on to release her next album, "Tant qu'il y aura des enfants", in the year 1990, which boasted an impressive array of hit singles, including the chart-topping tracks "À bout de ciel" and "Je sais, je sais". This album would go on to achieve great success, earning Marjo four prestigious Prix Félix awards, including the coveted titles of Best Rock Album and Best Song for the critically acclaimed hit single "Je sais, je sais".
Notably, Marjo's discography continued to flourish with the release of a string of albums that showcased her remarkable talent. Among these notable releases were Bohémienne, a testament to her eclectic style, followed by Bootleg Blues, a soulful exploration of her bluesy inclinations. The album Sans retour marked a new direction in her artistic journey, as did Turquoise, which further cemented her reputation as a versatile and innovative artist. The albums Marjo et ses hommes, Vol. 1 and Marjo et ses hommes, Vol. 2, respectively, featured re-recorded versions of her classic songs, reimagined as duets with a diverse range of male vocalists, adding a fresh layer of depth and complexity to her already impressive body of work.
Noted French singer Marjo embarked on a remarkable musical journey in the late 2000s, releasing not one but two albums that would forever change the landscape of her illustrious career. In 2009 and 2010, Marjo et ses hommes, Vol. 1 and Marjo et ses hommes, Vol. 2 were born, each containing a treasure trove of new and exciting tracks, including the long-awaited original recording of the iconic "Les Yeux du cœur", previously inaccessible on any of her previous albums.
