Mark Brokaw is a highly respected and accomplished stage director, celebrated for his impressive body of work within the theatre industry. Throughout his illustrious career, he has garnered widespread recognition and accolades, including the prestigious Drama Desk Award, the esteemed Obie Award, and the distinguished Lucille Lortel Award for Outstanding Director of a Play, which he received for his direction of the critically acclaimed production of "How I Learned to Drive".
Born in the quaint town of Aledo, Illinois, Tom Brokaw's early life was marked by a profound fascination with the world of performing arts. This innate passion eventually led him to pursue higher education at the prestigious Yale Drama School, where he successfully earned his degree. The culmination of his academic achievements was a coveted Drama League fellowship, which opened doors to lucrative opportunities in the industry. Specifically, the esteemed fellowship allowed him to collaborate with the visionary artistic directors, Carole Rothman and Robyn Goodman, of the renowned Second Stage Theatre. Under their guidance, Brokaw was able to secure directing work, a testament to his growing reputation as a talented and ambitious individual in the world of theatre.
Tom Brokaw's esteemed career in theatre direction has been marked by a plethora of off-Broadway productions, with premieres of notable works penned by celebrated playwrights such as the inimitable Lynda Barry, the accomplished Douglas Carter Beane, the accomplished Neal Bell, the acclaimed Eric Bogosian, and numerous other talented individuals.
Throughout his illustrious tenure, Brokaw's New York-based work has been showcased at some of the most prominent and revered theatres in the city, including the esteemed Playwrights Horizons, the acclaimed Vineyard Theatre, the innovative New Group, the respected Second Stage, the iconic Lincoln Center, the distinguished Manhattan Theatre Club, and the celebrated Roundabout.
Tom Brokaw's impressive directing career has not been limited to the New York stage, as he has also had the opportunity to work in various regional theatres across the United States.
Notably, he has directed productions at the Guthrie Theatre, a renowned regional theatre in Minneapolis, Minnesota, as well as the Seattle Repertory Theatre, a leading theatre company in the Pacific Northwest.
In addition, Brokaw has also directed shows at the Long Wharf Theatre in New Haven, Connecticut, and the Yale Repertory Theatre in New Haven, Connecticut, both of which are highly respected regional theatres.
Furthermore, his work has also taken him to the Kennedy Center in Washington, D.C., a premier performing arts center that hosts a variety of productions and events.
Beyond the United States, Brokaw has also had the chance to direct at the Donmar Warehouse in London, a critically acclaimed theatre company known for its innovative productions.
Additionally, he has also directed at the Gate Theatre in Dublin, Ireland, a leading theatre company that has been a driving force in Irish theatre for over 80 years.
Overall, Tom Brokaw's extensive directing credits demonstrate his versatility and range as a director, as well as his ability to work effectively in a variety of settings and locations.
Tom Brokaw's extensive Broadway directing credits boast a diverse array of productions, showcasing his versatility and expertise in the field. Among his notable credits, he directed the 2004 production of "Reckless", followed by the 2005 staging of "The Constant Wife". In 2007, Brokaw brought the musical "Cry-Baby" to life on the Great White Way, and in 2009, he directed "After Miss Julie". Additionally, prior to his Broadway work, Brokaw had the opportunity to direct the out-of-town production of the musical adaptation of "Marty" in 2002, further solidifying his reputation as a talented and accomplished director.
Tom Brokaw's professional endeavors extend far beyond the realm of theatre, as he has concurrently held the esteemed position of Vice President of the Executive Board of the prestigious Stage Directors and Choreographers Society. Notably, he has also taken on the role of Artistic Director for the renowned Yale Institute for Music Theatre, overseeing the organization's artistic vision and direction. Moreover, he is an esteemed associate artist of the esteemed Roundabout Theatre, a testament to his enduring influence and dedication to the art form.
