Martha Pinson is a celebrated filmmaker with a remarkable presence in the industry, boasting a comprehensive and varied body of work. Her impressive feature film, "Tomorrow", has received widespread recognition and admiration, culminating in a prestigious trifecta of accolades at esteemed USA film festivals. The SCAD Savannah Film Festival, the Napa Valley Film Festival, and the Seneca Film Festival in New York all recognized her outstanding cinematic achievement, bestowing upon her the Best Narrative Feature award at each of these prominent events.
This impressive achievement serves as a testament to Martha Pinson's remarkable direction and storytelling prowess, solidifying her reputation as a masterful filmmaker.
Prior to the release of "Tomorrow", Pinson had already made a name for herself in the film industry by directing a short film titled "It's Not Saturday" as part of the VisionFest'11 filmmaker challenge.
This impressive short film premiered at the Hoboken Film Festival in New Jersey, showcasing Pinson's exceptional directing skills to a wider audience.
In addition to her work on "It's Not Saturday", Pinson also directed a 4-camera video of the off-Broadway production "The Man in Room 306" in 2010.
Furthermore, she was also responsible for directing ten short plays in dramatic readings at the prestigious Drama Bookshop in New York City.
Pinson's extensive experience in directing a variety of productions has undoubtedly honed her skills and prepared her for the release of "Tomorrow", a testament to her dedication and passion for her craft.
Pinson's extensive work portfolio encompasses a diverse range of projects, including the pilot episode for the television series "Rescue Meal", which delves into the fascinating lives of firehouse chefs, showcasing their unique blend of culinary expertise and bravery.
In the year 2006, Pinson exercised her creative vision by directing the short film "King Alive", a powerful and emotive piece that features Craig Edwards delivering poignant excerpts from the iconic speeches of Martin Luther King Jr., leaving a lasting impact on all who witnessed it.
Furthermore, Pinson's impressive directing skills were on full display in her work on Sheila Evan's "Billie Holiday Cabaret", a captivating production that premiered in the charming town of Provincetown, Massachusetts. The performance received a well-deserved standing ovation, a testament to Pinson's ability to bring out the best in her artists and craft a truly unforgettable experience for the audience.
Pinson's earlier work boasts an impressive array of accolades and recognitions, with the prestigious short film "Don't Nobody Love the Game More than Me" garnering widespread attention and acclaim.
This outstanding production, which premiered on the esteemed PBS platform "Independent Lens", went on to be screened at an impressive array of over 20 film festivals, cementing its status as a standout in the world of short filmmaking.
Among the numerous festivals that showcased Pinson's work, the Westchester and Toronto Online Festivals stood out, with "Don't Nobody Love the Game More than Me" taking home the coveted Best Short award at both prestigious events.
In addition to her impressive work in film, Pinson also lent her talents to the world of live theater, serving as producer and director for the comedy "Small Potatoes" during its successful six-week Off Broadway run on Theater Row.
Under her guidance, the production received widespread critical acclaim and commercial success, solidifying Pinson's reputation as a versatile and accomplished creative force in the entertainment industry.
Pinson's professional journey began in 1998 when she took the reins as director for Stephen E. Mantin's captivating production, "Acts of Faith", at the esteemed Chain Lightning in New York, garnering widespread critical acclaim.
Pinson's illustrious career in screenwriting has been marked by an impressive array of original and adapted works, with a notable highlight being the critically acclaimed coming-of-age drama "Body Count 1968", a cinematic masterpiece that has garnered widespread recognition and acclaim.
In addition to this notable achievement, Pinson has also demonstrated her versatility as a screenwriter by adapting the iconic novel "The Red and the Black" by Stendhal, a literary masterpiece that has been reimagined for the stage with great success.
Furthermore, Pinson has collaborated with renowned novelist Sonja Greenlee on the novel "The Last Resort", a captivating tale that has been brought to life through her exceptional screenwriting skills.
Moreover, Pinson's impressive body of work also includes the award-winning comedy "The Loophole", a hilarious and innovative exploration of the lives of exotic dancers who, in a surprising twist, perform Shakespearean plays.
Pinson has concurrently undertaken the role of directing consultant for a trio of renowned filmmakers, namely Richard Wenk, Darren Starr, and Tom Cavanagh, in addition to providing expertise as a Script Supervisor for a diverse array of acclaimed directors, including the illustrious Martin Scorsese, Sidney Lumet, Milos Forman, Oliver Stone, Iain Softley, Andrew Niccol, and Brian De Palma, on a wide range of prestigious film projects, such as the Academy Award-winning "Hugo", the critically acclaimed HBO series "Boardwalk Empire", the psychological thriller "Shutter Island", the crime drama "The Departed", the biographical epic "The Aviator", and the anthology film "New York Stories", among many others.
