Michael Peter Bolus, a highly accomplished individual, holds a Bachelor of Fine Arts Degree in Acting from the prestigious University of Southern California's School of Cinema and Television, where he honed his skills in the art of acting.
He furthered his education by earning his Master's Degree in Playwriting from Boston University, a renowned institution, where he developed his expertise in crafting compelling plays.
Not content to stop there, Bolus went on to acquire his M.Phil. and Ph.D. in Theatre Studies from the esteemed City University of New York Graduate Center, solidifying his position as a leading authority in the field of theatre studies.
Noted television personality, with a diverse array of acting credits to his name, has made significant appearances in various popular shows. He has had the opportunity to guest star in the esteemed crime drama "NCIS", as well as co-star in the critically acclaimed legal thriller "How to Get Away With Murder".
In addition to these notable roles, he has also made appearances in the long-running "Law and Order" franchise, which includes "Law and Order", "Law and Order: SVU", "Law and Order: Criminal Intent", and "Law and Order: Los Angeles". His impressive resume also includes stints on the medical drama "Strong Medicine", the courtroom series "Swift Justice", and the gritty drama "100 Centre Street", directed by the renowned Sidney Lumet.
Furthermore, he has lent his talents to the crime dramas "The Eleventh Hour" and "Undercovers", the latter of which was created by the acclaimed J.J. Abrams. With his extensive experience in the television industry, he has established himself as a versatile and sought-after actor, capable of taking on a wide range of roles and characters.
Eddie Murphy's co-star in the film "Dolemite Is My Name" has an impressive list of movie credits to his name. In addition to this notable role, he has also appeared alongside Woody Allen in the critically acclaimed film "Sweet and Lowdown", as well as in the lesser-known but no less intriguing films "Bleach" and "Bury the Evidence". Furthermore, he has also worked with Sam Raimi, the renowned director of the Spider-Man trilogy, in the horror-comedy "Drag Me to Hell".
This talented individual's stage presence is equally impressive, with a wide range of roles in various plays. He has had the opportunity to play the lead in Anton Chekhov's classic "The Seagull", as well as in the more contemporary play "Sunshine". His repertoire also includes a variety of characters in plays such as "The Country Wife", "The Taming of the Shrew", "Under Milkwood", "The Imaginary Invalid", "The Cherry Orchard", and "True West".
Michael held the esteemed position of Artistic Producing Director at Meanstreet, a renowned theatre company based in Manhattan, where he was entrusted with a multifaceted array of responsibilities. His duties encompassed the crucial aspects of play selection, carefully curating a diverse range of productions to captivate audiences. He was also responsible for the meticulous process of casting, ensuring that each role was filled with the perfect talent to bring the story to life.
In addition to these creative endeavors, Michael was also tasked with directing select productions, bringing his unique vision and expertise to the stage. His financial acumen was also put to the test as he was responsible for managing the company's budget, making strategic decisions to allocate resources effectively.
Furthermore, Michael's exceptional writing skills were utilized in the preparation of grant applications, as he worked tirelessly to secure funding for the company's projects. His fundraising efforts were equally impressive, as he cultivated relationships with donors and stakeholders to support the company's mission.
As the Artistic Producing Director, Michael was also responsible for assembling a talented team of creatives, including designers, actors, and other industry professionals. His leadership and guidance were instrumental in bringing these individuals together to form a cohesive and collaborative unit.
Throughout his tenure at Meanstreet, Michael's administrative skills were put to the test as he handled a wide range of managerial and administrative tasks. His organizational abilities and attention to detail ensured that the company ran smoothly, allowing him to focus on his artistic vision and goals.
Pound of Flesh, the most recent stage play created by the talented individual, made its world premiere at the esteemed Berkshire Theatre Festival, showcasing its unique blend of artistic expression and storytelling to a captivated audience. Following its successful debut, the production was subsequently brought to life under the masterful direction of the playwright at the renowned Edinburgh International Theatre Festival, where it captivated the hearts of many. The Odyssey Theatre Ensemble in Los Angeles, a hub for innovative and boundary-pushing theatre, also had the privilege of hosting the production, further solidifying its reputation as a groundbreaking work of art. Additionally, the Taos Center for the Performing Arts, a haven for creative expression and artistic exploration, provided a platform for the play to thrive, leaving a lasting impression on all who witnessed its emotional and thought-provoking journey.
Michael has had a distinguished career in the world of theatre, having directed a multitude of plays across various prestigious stages in prominent cities such as New York, Los Angeles, Boston, and Washington D.C.
A renowned scholar in the field of Film Studies, he has made significant contributions to the discipline through his extensive research and writing. His literary endeavors have resulted in the publication of two esteemed books that have garnered widespread acclaim from scholars and cinephiles alike.
The first book, "Aesthetics and the Cinematic Narrative: An Introduction", serves as a comprehensive guide for those seeking to understand the intricate relationship between aesthetics and narrative structure in film. Through a meticulous examination of cinematic techniques, he provides readers with a nuanced appreciation of the ways in which filmmakers employ visual and auditory elements to craft compelling stories.
His second book, "The Light in the Dark: The Evolution, Mechanics, and Purpose of Cinema", is a sweeping exploration of the medium's development, mechanics, and purpose. By delving into the historical, technological, and artistic factors that have shaped the evolution of cinema, he offers a richly detailed and deeply insightful analysis of the medium's enduring power to captivate and inspire audiences.
Through his writing, he has established himself as a leading authority on the subject of Film Studies, and his work continues to influence and inform the field.
