From the very moment he first drew breath in the esteemed city of Bryansk, a visionary filmmaker and wordsmith embarked upon a remarkable journey, which would ultimately see him co-establish the Proba Theatre alongside a coterie of dear companions in the year 2001.
The theatre's ascent to widespread recognition and acclaim was a gradual yet deliberate process, with its reputation and credibility steadily building from the very beginning. By the year 2003, the collective had already made a significant impact within the professional community, with its talented performers and productions consistently taking to the stage at some of the most prestigious venues in the industry.
From 2004 to 2014, Raskhodnikov pursued a successful career as a copyright lawyer, honing his skills and gaining valuable experience in the field of intellectual property law.
Before making the transition to the world of film, Raskhodnikov joined the esteemed company Animotion Pictures in 2015, where he assumed multiple roles, including screenwriter, second director, and project developer.
As a screenwriter, Raskhodnikov was responsible for crafting engaging narratives and compelling characters, bringing stories to life through the written word.
In his capacity as second director, Raskhodnikov played a crucial role in the production process, working closely with the director to ensure the smooth execution of the project.
As a project developer, Raskhodnikov was instrumental in identifying and nurturing new ideas, bringing innovative concepts to the forefront and shaping the creative direction of the company.
Throughout his tenure at Animotion Pictures, Raskhodnikov's diverse skillset and dedication to his craft earned him a reputation as a versatile and talented filmmaker, poised to make a lasting impact on the industry.
Notable filmmaker Raskhodnikov embarked upon an illustrious career trajectory in 2016, marking a significant milestone with the release of his inaugural directorial effort, the thought-provoking cinematic masterpiece "Elastiko".
