Soumendu Roy is a celebrated Indian cinematographer whose impressive career has left an enduring mark on the world of cinema, with a notable emphasis on his fruitful collaborations with the venerated director Satyajit Ray.
His remarkable journey in the film industry commenced with a pivotal moment, marked by his assumption of the cinematography responsibilities for Ray's film Teen Kanya, following a significant setback involving an eye problem that hindered the work of his predecessor, the esteemed Subrata Mitra.
Soumendu's professional connection with the renowned filmmaker Satyajit Ray stretches far beyond his involvement in the production of Teen Kanya, as he had already collaborated with the director on a documentary project prior to that. Specifically, Soumendu had the privilege of working on Rabindranath Tagore, a documentary film that showcased the life and works of the iconic Bengali poet.
Moreover, Soumendu's exposure to Ray's filmmaking expertise was further augmented by his experience as an assistant to the esteemed cinematographer Subrata Mitra on several films that followed the critically acclaimed Pather Panchali.
Soumendu Roy is a renowned Indian cinematographer and photographer, known for his exceptional work in the Indian film industry.
Born on April 12, 1933, in Kolkata, India, Soumendu Roy's fascination with the world of cinema began at a tender age. His love for photography and cinematography led him to pursue a career in the field.
Roy started his journey in the film industry as an assistant to the legendary cinematographer, Subrata Mitra. He worked closely with Mitra on several projects, including the iconic film "Pather Panchali" (1955),directed by Satyajit Ray.
Soumendu Roy's breakthrough project was the film "Jalsaghar" (1958),also directed by Satyajit Ray. His exceptional work on the film earned him widespread recognition and accolades, including the National Film Award for Best Cinematography.
Throughout his illustrious career, Soumendu Roy has worked on numerous films, including "Charulata" (1964),"Chhaya" (1961),and "Ghare Baire" (1984),to name a few. His contributions to Indian cinema have been immense, and he remains one of the most respected and acclaimed cinematographers in the country.
In addition to his work in films, Soumendu Roy is also an accomplished photographer. His photographs have been exhibited in various galleries and exhibitions, showcasing his unique perspective and artistic vision.
Soumendu Roy's legacy in the world of cinema and photography is a testament to his dedication and passion for his craft. His work continues to inspire and influence new generations of filmmakers and photographers.
