Worlds collide in this unique film essay, where Daniel Kremer seamlessly edits Michelangelo Antonioni's Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's It's a Mad, Mad, Mad, Mad World (1963). The mashups reveal cultural and historical parallels in twentieth-century American life, echoing in present-day America.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
The boundaries between counterculture and the desert landscape blend together, crafting a distinctive and enthralling film.
