David DiFrancesco, a visionary individual born in the year 1949, in the charming town of Nutley, New Jersey, has made a profound impact in the realms of photography, cinematography, and computer graphics. As a pioneering figure in the field of digital special effects and film, he has been instrumental in shaping the course of cinematic history.
Throughout his illustrious career, DiFrancesco has been affiliated with several groundbreaking organizations, each of which has played a pivotal role in pushing the boundaries of computer graphics and digital special effects. Among these organizations are the New York Institute of Technology Computer Graphics Lab, the Lucasfilm Computer Division, and Pixar, a pioneering animation studio that was initially financed by the visionary entrepreneur Steve Jobs.
DiFrancesco's collaborations with esteemed colleagues such as Edwin Catmull and Alvy Ray Smith have been instrumental in driving innovation and progress in the field of computer graphics. Together, they have developed cutting-edge technologies that have enabled the creation of breathtaking visual effects and stunning cinematic experiences.
As a testament to his remarkable contributions to the world of computer graphics and digital special effects, DiFrancesco's legacy continues to inspire and influence a new generation of artists, filmmakers, and technologists. His work has left an indelible mark on the cinematic landscape, and his impact will be felt for generations to come.
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Born and bred in the charming town of Nutley, located in the heart of New Jersey, DiFrancesco spent his formative years surrounded by the quintessential American suburban landscape. With a strong foundation in his early education, he went on to graduate from Nutley High School in the year 1967, marking a significant milestone in his academic journey.
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As the esteemed director of the Pixar Photoscience Team at Pixar Animation Studios, DiFrancesco oversaw the crucial responsibility of meticulously transferring high-resolution digital images onto film. Within this capacity, he spearheaded the development of the world's first-ever laser scanning and recording devices specifically designed for 35mm motion picture film. Furthermore, DiFrancesco established a reliable and commercially successful methodology for this process, which he aptly dubbed PixarVision.
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Prior to his current endeavors, DiFrancesco held various prestigious positions within the realm of computer graphics and technology. One of his earliest notable roles was at Computer Image Corp., where he collaborated with the renowned Lee Harrison on the development of Scanimate. This experience laid the foundation for his future work in the field.
Subsequently, DiFrancesco joined the esteemed research institution Xerox PARC, where he had the privilege of working alongside the illustrious Dick Shoup. During his tenure, he contributed to the groundbreaking development of the first 8-bit shift register framebuffer technology, a milestone achievement in the evolution of computer graphics.
Furthermore, DiFrancesco's impressive résumé includes a stint at JPL, where he had the opportunity to work alongside the celebrated Jim Blinn on the iconic Cosmos Series, a scientific documentary hosted by the legendary Carl Sagan.
In addition to his extensive professional experience, DiFrancesco's innovative work has resulted in the creation of a one-of-a-kind prototype film recorder, which is now proudly housed in the permanent apparatus collection of the George Eastman House International Museum of Photography and Film.
In recent years, DiFrancesco has been actively engaged in pioneering research, focusing on the development of a revolutionary interchangeable light field lens for motion picture cameras. This groundbreaking technology enables post-production re-focusing of motion picture images, thereby expanding the creative possibilities for filmmakers.
Moreover, DiFrancesco's research has also led to the creation of a prototype that enables the capturing of 3D motion pictures using a single lens and camera. This achievement has the potential to transform the film industry, offering new avenues for storytelling and visual expression.
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In the year 2004, a custom LED-based stroboscopic lighting system was meticulously designed by DiFrancesco, with the primary objective of synchronizing the animation of tangible Pixar Toy Story characters within the Pixar Zoetrope, a groundbreaking exhibit initially showcased at the prestigious Museum of Modern Art in collaboration with Pixar's 20th Anniversary celebration.
This remarkable exhibit has since made its way around the world, being displayed at various esteemed museums and institutions, while additional zoetropes can be found on display at Disneyland's California Adventure theme park in Southern California, as well as other Disney theme parks worldwide.
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DiFrancesco leveraged his extensive technical expertise in the realm of zoetropes to collaborate on a captivating two-minute film titled "Forza/Filmspeed", directed by the renowned filmmaker Jeff Zwart. This innovative project showcased the world's fastest zoetrope, which was brought to life through the utilization of high-resolution still images meticulously extracted from the popular Xbox game Forza Motorsport 5.
These still images were then printed onto panels and strategically placed at various intervals around the Barber Motorsports Park race track, thereby recreating the mesmerizing illusion of movement known as the persistence of vision. This groundbreaking achievement serves as a testament to DiFrancesco's remarkable skills and expertise in the field of zoetropes.
In addition to his remarkable contributions to the world of zoetropes, DiFrancesco has also received recognition for his outstanding achievements. On November 19, 2017, he was honored with induction into the prestigious Nutley Hall of Fame, a testament to his enduring impact and legacy.
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Noted photographer DiFrancesco's body of work has been showcased at the renowned Museum of Modern Art in New York City, boasting an impressive display of his artistic vision. Additionally, his photographs can be found within the esteemed Yale University Library collection, further solidifying his status as a prominent figure in the world of photography. Furthermore, his work is also featured in the prestigious V&A CG collection located in London, England, a testament to his global recognition and acclaim.
