Peter and Nora Larson's lives were forever changed when they joyously welcomed their son Eric into the world, marking the start of a life that would be characterized by a deep-seated passion for creative expression. As the years went by, the family made the momentous decision to relocate to Salt Lake City, a move that would prove to be a pivotal turning point in Eric's life. It was during this time that his curiosity and enthusiasm for journalism began to blossom, laying the foundation for a career that would be marked by dedication and a relentless pursuit of excellence.
Concurrently, Eric embarked on a secret journey, one that would take him down a path of self-discovery and artistic exploration. He began taking drawing lessons, a decision that would ultimately shape his artistic identity and provide him with a unique perspective on the world. As he honed his skills and developed his craft, Eric's artistic talents began to flourish, setting him on a course that would lead him to become a renowned artist.
Eric's arrival at the University of Utah in 1925 marked a significant milestone in his academic journey, where his unwavering enthusiasm for journalism and writing remained a constant driving force. Nevertheless, his arduous attempts to secure a position in the field ultimately proved futile, prompting him to reevaluate his aspirations and reignite his long-held passion for the arts. This pivotal decision would go on to have a profound impact on the trajectory of his career, as he was subsequently offered a coveted position at Walt Disney Productions in 1933, where he would assume the role of in-betweener.
Eric's personal life took a significant turn later that year, as he exchanged vows with Gertrude Jannes, a partnership that would endure for a lifetime, although it would remain childless. This marked the beginning of a new chapter in his life, one that would be filled with the creative endeavors that would define his professional trajectory.
Around the same time, Eric's exceptional talent caught the attention of renowned animator Hamilton Luske, who would go on to play a pivotal role in Eric's artistic growth. Luske, who had joined the studio two years prior, would serve as a guiding force in Eric's development as an animator, offering valuable mentorship and expertise that would have a lasting impact on his career.
Eric's career trajectory continued to ascend as he was entrusted with the responsibility of imbuing the forest animals with a semblance of life, thereby enabling them to seamlessly follow Snow White throughout the entirety of Walt Disney's inaugural feature-length cartoon, Snow White and the Seven Dwarfs, a groundbreaking film that premiered in 1937.
In tandem with his colleagues, Milt Kahl and James Algar, who would later become revered veterans in the animation industry, Eric skillfully brought the forest to life, infusing it with a distinct and unparalleled style that has since become an integral component of the film's enduring charm.
Eric's ascension to the esteemed position of animation director in 1940 marked a significant milestone in his illustrious career, as he brought his unique creative vision to the forefront of Walt Disney's most iconic film, Pinocchio (1940). During this pivotal period, Eric had the distinction of introducing the world to the endearing and iconic kitten, Figaro, who would go on to become one of his most cherished and enduring creations.
As he continued to push the boundaries of animation and storytelling, Eric's remarkable expertise was further showcased in the groundbreaking film, Fantasia (1940). The "Pastoral Symphony" segment, in particular, served as a testament to his exceptional skill and artistry, as he brought the majestic centaurs and horses to life with unparalleled finesse and flair.
By the year 1942, Eric had successfully ascended to the esteemed position of supervising animator on the highly acclaimed film Bambi, collaborating alongside a talented group of fellow artists, including the renowned Ollie Johnston, Frank Thomas, and Milt Kahl. During his tenure on this project, Eric created the character of Friend Owl, a design that would ultimately become an iconic and enduring part of the film's legacy. Eric's subsequent work on avian characters in The Three Caballeros, released in 1944, and Make Mine Music, released in 1946, further solidified his reputation as a master of his craft, earning him widespread recognition and acclaim within the animation community.
Eric's remarkable contributions to iconic Disney productions, including Fun and Fancy Free, Song of the South, Melody Time, and So Dear to My Heart, significantly reinforced his standing within the Disney universe. His unwavering dedication and exceptional talent ultimately led to his selection for the esteemed Animation Board, and Walt Disney himself appointed Eric as one of the esteemed Nine Old Men, a distinguished group comprising a diverse range of skilled animators, including Les Clark, Woolie Reitherman, Eric Larson, Ward Kimball, Milt Kahl, Frank Thomas, Ollie Johnston, John Lounsbery, and Marc Davis.
