Born to Russian immigrants, this exceptional songwriter and jazz pianist embarked on a remarkable musical journey at the tender age of ten, marking the beginning of a lifelong passion for the piano.
His professional career commenced in 1932 with a highly prestigious performance alongside the renowned Frank LaMarr orchestra at the iconic Roseland Ballroom in New York.
By 1935, his talent and dedication had propelled him to the esteemed position of intermission pianist at the Famous Door, where the Bunny Berigan Boys were performing. This illustrious group boasted an impressive lineup, featuring guitarist Eddie Condon and pianist George Zack, whom Bushkin would eventually replace.
In the year 1936, a remarkable opportunity arose for him, as he had the privilege of participating in Billie Holiday's inaugural recording under her own name, thereby commencing a long and illustrious professional journey.
He continued to collaborate with other prominent musicians, including Eddie Condon, Joe Marsala, and Tommy Dorsey, ultimately joining Dorsey's band, where he co-authored the hit song "Oh! Look at Me Now" alongside John DeVries, a tune that significantly contributed to the career advancement of a young Frank Sinatra.
Throughout his distinguished career, Bushkin had the unique distinction of serving as pianist for the esteemed bands of Louis Prima, Bunny Berigan, Joe Marsala, and Muggsy Spanier.
In the year 1946, a significant milestone was reached as he officially joined the esteemed ranks of Benny Goodman, a renowned jazz musician. This marked the beginning of a journey that would lead him to perform alongside another legendary figure, the one and only Louis Armstrong, in the years that followed.
As his career continued to flourish, he took the bold step of forming his own group in 1951. This new venture led him to work at the prestigious Embers in New York, a venue that had played host to some of the city's most talented musicians, leaving a lasting impression on the music scene.
After working with the acclaimed conductor/arranger Kenyon Hopkins on several notable Capitol albums, including the critically acclaimed "Blue Angels," "Night Sounds," and "I Get a Kick out of Porter," Bushkin eventually retired from the music scene. However, he did make a few notable appearances in his later years, including performances on Bing Crosby's last tours in 1976 and 1977.
Additionally, he participated in a 1984 concert series at New York's St. Regis Hotel, which was designed to commemorate his half-century show-business career, a testament to his enduring legacy in the world of music.
