Thamizh, a multifaceted and dynamic individual, hails from the Erode District in the state of Tamil Nadu, where his father's employment with the Railways provided a rock-solid foundation for his childhood and upbringing. This stable environment allowed Thamizh to flourish and grow, as he became increasingly enthralled with the world of cinema, his fascination gradually evolving into an all-consuming passion that drove him to relentlessly pursue his dreams with unwavering dedication and unrelenting perseverance.
After the successful culmination of his undergraduate education, Thamizh took the courageous and audacious step of migrating to Chennai, the epicenter of the Indian film industry, leaving behind the comforting familiarity of his hometown. This daring and unyielding decision was a resounding testament to his unwavering and unrelenting passion for the art of filmmaking, as well as his unshakeable determination to carve out a niche for himself in the world of cinema, and to make a lasting and indelible mark on the industry.
Throughout the course of his illustrious career, Thamizh has successfully directed a trio of remarkable short films, each one a testament to his remarkable storytelling prowess and artistic acumen. These films, which include "June 12", "One Message Received", and "Selfie", have not only showcased his innovative approach to narrative structure, but have also demonstrated his unwavering commitment to pushing the boundaries of cinematic storytelling.
In addition to his impressive work in the realm of filmmaking, Thamizh has also made a name for himself as a talented writer, with several of his short stories having been published in some of the most respected and widely read Tamil magazines. Notable among these publications are "Ananda Vikatan" and "Bhagya", which have long been regarded as authorities on the literary scene in Tamil.
Thamizh's creative pursuits have been profoundly shaped by the remarkable bodies of work of renowned filmmakers Shridhar and Mahendran, whose artistic visions have undoubtedly left an indelible mark on his own creative trajectory.
It is little wonder that his inaugural feature-length film, "Seththumaan (Pig)", serves as a resounding tribute to his pioneering spirit of innovative storytelling and his unyielding commitment to his artistic vocation, thereby providing a compelling showcase of his cinematic evolution and his remarkable aptitude for crafting intricate narratives that mesmerize and captivate diverse audiences.
